These latest sculptures by New York-based artist Amy Brener are something magical. Made of a combination of materials like resin, pigment, and glass (Brener describes these as “totemic structures…of an imagined future,”) these objects combine natural and artificial aesthetics to create something familiar yet strangely distant from a what we know. As the artist describes:
“Some sculptures may be markers for an unknown border, while others hint at vehicular function. Some surfaces are ordered into compositions that allude to touch-screen platforms, energy cells and the digital logic of a different reality. Other surfaces are left to chance: to crystallize, crack under pressure and weather with time. Common sculpture materials such as resin and concrete shed their associations and morph into geological forms. I enforce approximations of natural processes onto my sculptures. Notions of sedimentation, erosion and fossilization come into play.”
See more of Brener’s work at her website here. And read more at her MoMA Studio Visit Page here.
According to Greek mythology, Ariadne was willing to help Theseus find his way out of the Labyrinth. In exchange Theseus promised to marry her and take her back to Athens. Ariadne gave him a BALL OF THREAD and told him to secure one end at the entrance to the Labyrinth. He could then unravel the ball as he made his way. By following the thread Theseus would be able to find the way back to the entrance.
Theseus slowly made his way through the Labyrinth, unravelling the ball as he went. He encountered the Minotaur, and after a struggle slew the beast. Together with the others he followed the thread back to the entrance and out of the Labyrinth.
During her legendary final photo shoot with Bert Stern - The Last Sitting - Stern created some stunning photographs of Marilyn Monroe. However, Monroe crossed out the negatives that she didn’t want published. After her death, Stern developed those photos.
Marilyn Monroe photographed by George Barris, August 1962.